Narrative is fluent and the performance of the two leading roles are good enough. Still the main issue is about the script. As a documentary movie, clearly it wasn’t realistic enough. When there’s a challenge comes to them, the audience wants to know the whole process of how they dealing with it in such a awful situation not a frame of days number.

“Monica Vitti is dead, but yes.”

最喜欢尹施允那对那条线（他那对的女主和我性格好像TT

完全日式的库尔德难民片。我们都是世界的一份子，但当认同不一认知不一的时候，无论国家民族家庭生活方式都会崩溃，并且在体制面前个体都是尘埃随时可以被抹去。

作为电视剧本身来说有点刻意了，企图心很明显。两位女性主角光芒万丈，其他男性角色要么是唯唯诺诺的孬种要么是天真懵懂的傻屌。从主题来说振聋发聩，一个不完美受害者的残冷报警遭遇开场，第二集完全类似案件下女侦探的处理方法简直是刻意树标杆——一遍遍要求重复证词vs反复强调创后记忆碎片化不必自责，威逼利诱vs各种体贴和预先准备努力减轻心理压力，验证了所谓谎报后倒打一耙vs即使线索完全冷火鸡也绝不放弃。Grace问的很对，他们的义愤哪去了？