很明显地感受到了剧本的改动和优化，叙事变得更连贯了，也在细节上体会到了大梨和挪威的社会差异。画面构图光线很美。

开创性的跟踪、追逐、飙车戏。#第四十四届奥斯卡最佳影片#

这两年所谓给电影的情书中 这部是影像质感最好的（功劳是迪金斯的）但这部也是叙事上最散最空洞的 从某种角度来说也算是把电影情绪性的那一面呈现出来了

Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.

这应该是披着古装的鸡娃剧，anyway，中殿娘娘太帅了，第二任太子也很帅！还有我真心搞不懂那个老妖婆太后，明明已经把儿子扶正了，安享晚年不是挺好，非要在这瞎搅和个啥？？？真是讨厌。再就是最后几分钟的承接非常的棒。